Interviews in the coulisses of the Festival

The Chairman of NCCAH, Sheikh Mishaal Bin Jassim Al Thani: Doha Seventh Cultural Festival events are so widely open and so openly global that this gathering could be in the future one of the most significant international events.

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Secretary General of NCCAH, Mr. Moubarak Bin Nasser Al Khalifa : Our aim is to prepare citizens and residents to welcome 2010 when Qatar will be the Capital of the Culture.

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  Symposium: Manuscripts of Vernacular Poetry,

Al-Majlis Hall, Sheraton Hotel at 18.00, 04.3.2008

A group of experts gathered in this meeting scheduled during Doha Seventh Cultural Festival; they lectured about their passion: old manuscripts of Vernacular Gulf Poetry. Moubarak al-Amari, Ibrahim al-Khalidi and Ali al-Messaoudi presented an update of the current situation of manuscripts reporting traditional vernacular poems.
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  Parade of the Heritage Knights

Start of the show at 18.00 Monday 03.3.08 at Countryside location

One of the most significant expressions of Arabic Peninsula’s culture and heritage is surely Poetry and the related cavalry art. Cavalry has always expressed the Arabic lifestyle, and the horse (preferably Arab thoroughbred!) was always one of the best companions of the Arab.
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  ARABIC CALLIGRAPHISM EXHIBITION

Open Space near Salwa Hall, Sheraton Hotel

A certain School of Western art critics say that Arabic Calligraphy and Abstract art developed in the Islamic Sphere since figurative representation is forbidden by Sharia. Arabs and Muslims art specialists do not agree and argue that Islamic Civilization has naturally opted by abstraction, Arabic language is directed towards the ease of abstraction, Mathematics that Arabs have substantially developed work specifically with abstraction…
 
 
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  Opening of the Black and White Photographic Exhibition of Sheikh Khaled Bin Hamad Bin Ahmad Al Thani: “Ishq al-Falaa, or Wild Spaces Passion”,

2nd of March, Salwa Hall, Sheraton Hotel

His Highness Sheikh Hamad Bin Khalifa Al Thani, Emir of Qatar and Her Excellency Sheikha Mayassa Bint Hamad Al Thani, Chairperson of the Board of Trustees of Qatar Museum Authority inaugurated the exhibition. The entrance was decorated with a very refined collection of white roses and exquisite exotic species that brought a joyful atmosphere to the exhibition entrance.
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Opening of the Cultural Café at the Sheraton Hotel.

Fancy seats covered with fabrics inspired from traditional Qatari rugs, round tables in copper, a friendly atmosphere where you small the perfume of the exquisite Arabic coffee… It’s not a Thousand and One Night party, it’s the Cultural Café that the National Culture for Culture,

Arts and Heritage opened this 29th day of February and that constitutes by now a solid tradition in Doha Cultural Festival happenings. The first evening was dedicated to the theme of “Creative Qatari Experience” that focused on Qatari experiences in Arabic narrative and poetry both dialectal and classic. Dr. Muhammad Slim from Qatar lectured about the narrative experience, Mr. Ali al-Fayadh talked about popular poetry and Mr. Muhammad Rabii about classic poetry. The session was presided by Mrs. Hissa al-Awa

hi. Before the start of the lectures, theater writer Hamad al-Remihi signed his work: “Songs of Joy and sadness” that has been translated in French.

A rich cultural program is scheduled all along the Festival evenings.

Start of the Symposia “Islamic Arts between Heritage Identity       and Global Society “

2nd and 3rd March – Al-Maha Hall, Sheraton Hotel

The Visual Arts Centre, a department of the National Culture for Arts, Culture and Heritage organizes many exhibitions, roundtables and symposia, among which one of the most important is surely the series of Lectures dedicated to Islamic Arts.

From the list of the Lecturers, we can deduce the importance that the organizers give to the theme that will be debated. Quite logically, the Visual Arts Centre has direct interest to bring a stone to the widespread debate in the Arab World, which focuses on Islamic Arts and Aesthetics. The speakers are artists, researchers, academicians and art critics from Qatar, Tunisia, Lebanon, Morocco, Egypt, Yemen, Iraq and Syria.

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